The artist first compiled symbols drawn from the public sphere and wrote a book using only these signs. Xu Bing has been undertaking his Book from the Ground project since 2003. I’ve wanted to make a film from surveillance footage since 2013, but I had no access to the necessary resources. Everyday low … Xu Bing has been undertaking his Book from the Ground project since 2003. The artist first compiled symbols drawn from the public sphere and wrote a book using only these signs. By cutting, reorganizing, and printing motifs from the Mustard Seed Garden Manual of Painting (1679), I created a handscroll version of the classic manual. As long as one lives within the contemporary society, he or she will be able to interpret the book. Indistint forms of plants and stones can be discerned through frosted glass. Taipei. Xu Bing spent seven years gathering materials, experimenting, revising, and arranging thousands of pictograms to construct the narrative of Book from the Ground. Eslite Gallery. In the work, Xu Bing references the fine whitish-grey film that covered downtown New York in the weeks following 9-11, and recreates a field of dust across the gallery floor that is punctuated by the outline of a Zen Buddhist poem, revealed as if the letters have been removed from under the layer: In the work Xu Bing discusses the relationship between the material world and the spiritual world, exploring the complicated circumstances created by different world perspectives. Exhibition history. For the first Singapore Biennale, Xu Bing created a prayer carpet for the Kwan-Im Temple, the largest Buddhist Temple in Singapore. It is the artist's belief that people must have their routine thinking attacked in this way. The idea for this installation came from a Chinese saying “monkeys grasp the moon” which alludes to an old folk tale about a group of monkeys who tried to capture the moon. He was raised in a highly intellectual environment, as his father was the head of the University's history department, and his mother worked as a research… ''Wu'' in Chinese has various meanings, including both ''misunderstanding'' and ''enlightenment'' in the Chan (Zen) sense. In this installation Xu Bing uses dust that he collected from the streets of lower-Manhattan in the aftermath of September 11th. After developing this lettering system, Xu Bing created a new installation piece modeled on adult literacy classes within the exhibition space. Ineffably silent, these cameras record incessantly. Just before the event took place there was some concern that, once confronted with the unfamiliar cultural environment of the exhibition hall, the pigs would become too nervous to perform the crucial act. At the uppermost point of the installation, a flock of these ancient characters, in form of both bird and word, soar high into the rafters toward the upper windows of the space, as though attempting to break free of the words with which humans attempt to categorize and define them. This companion volume to Book from the Ground chronicles the entire project, The resemblance to the English words emotion and emoticonis purely coincidental. For his graduation exhibition, he showed Five Series of Repetitions as well as his “Stone Series” of copperplate prints. In particular, they targeted “A Book from the Sky” … He then hired a professional translator to translate the altered text into Chinese, making it even more incomprehensible, and subsequently published the falsified, translated article in a prestigious art magazine in China under the pseudonym of Jason Jones. '', Medium: media/found oil paintings, falsified magazine article. As Xu Bing has noted, the false characters “seem to upset intellectuals,” inspiring doubt in received systems of knowledge. … The entire mark-making process is then transferred onto a ten-meter-long stretch of bark paper. Materials: Performance media installation with live animal / Live Pig, books, mannequin, wood blocks, ink. Chinese people’s worldviews and concepts of freedom; the consequences of Chinese people’s flexibility, collectivism, face-saving mentality, moral stance that demands focus on communal interests, and worship of symbols and big names; the ability of Chinese culture to digest other cultures, and the Chinese culture of copying (“shanzhai”). For the Book fom the Ground installation, Xu Bing recreated his studio's working environment and brought some materials to the exhibition space, implying that this is a never-ending project in progress. A view from the outside only shows the surface. The book is written in a way that any reader, regardless of his or her cultural or educational background, can understand. The creation of Xu Bing's Book from the Ground documented and described in text, images, and photographs. 50 × 66 cm. The intention was both to observe the reaction of the pig towards the mannequin and to produce an absurd and random drama -- an intention that was realized when the pig reacted to the mannequin in an aggressively sexual manner. The artist first compiled symbols drawn from the public sphere and wrote a book using only these signs. I collected a huge amount of footage and tried to use these fragments of reality to tell a story. The artist first compiled symbols drawn from the public sphere and wrote a book using only these signs. As personal computer and the internet become increasingly integrated into daily life, the lexicon of digital icons grows accordingly, and the symbolic language of Book from the Ground has been further updated, augmented, and complicated. Taipei. Since 2008, Bing has experimented with increasingly less traditional methods and materials of communication. Desks are arranged with small containers of ink, brushes and a copybook with instructions on the basic principles of ''New English Calligraphy,'' a writing system invented and designed by the artist. Supported by The Robert H. N. Ho Family Foundation. The result is a readable story … Medium: Performance, mixed media installation / Ink and live pigs, When this work was initially performed in Beijing, it revealed an unexpected and surprising dynamic between the spectators and the spectacle. Xu paired the salvaged paintings with a ''profoundly deep'' article by a critic interpreting the abstract paintings of the renowned artist Jonathan Lasker. When at last they touched the moon, it vanished in the ripples of the water. Xu Bing’s work, personal … But I really like the Connect to Art project, because the work has utility. There, he began a series of woodblock prints based on the theme Shattered Jade. In watching the behavior of the two pigs, we are led to reflect on human behavior.'' Xu Bing book. It thus serves as an intermediary form of communication and exchange between the two languages. The work transforms the Great Wall into a paper edition of itself by shedding its history and context, hinting at ironies of isolationism, migration, and various cultural legacies. Xu Bing schuf zwischen 1987 und 1991 sein Book from the sky, eine Sammlung von Buchrollen und klassischen Büchern. … Reflective also of the artist's personal conviction that Mao's concept of art for the people is universally relevant; the work exemplifies the way in which Xu integrates his particular cultural background and life experience into the international context of contemporary art. Computer technology has made possible images of incomparable beauty, yet I prefer the hand-drawn quality that cartoons of my childhood possess.There is a rule regarding “art”: only creation without function can be considered art. This animation seeks to reveal the relation between Chinese writing and cultural characteristics, the core and energy of Chinese culture, and its advantages and disadvantages for people to continue to build new modes of human civilization. Materials: Mixed media: Stones, Clay, Mist, Light effect, Sounds of bird and insects, LCD screen, Location: Victoria and Albert Museum, London, UK, Materials: seventeen-minute animated film. In this fashion, Xu Bing selected passages from four significant faith-based texts (one Buddhist, one Gnostic, one Jewish, and one passage from Marx, all in English translation), which he then transcribed as Square Word Calligraphy, and then synthesized into one text. Although the pictogram-only narrative in Xu Bing's Book from the Ground can be read by anyone, there is much more to the story of Xu Bing's wordless book than can be gleaned from icons alone. There are around 150 pocket-sized works in this set of woodblock prints. Materials: seventeen-minute animated film. This dichotomy between understanding and misunderstanding is integral to ''Wu Street.'' They are characteristic of a certain style in Xu Bing’s early works, and they can be seen as a starting point in his artistic inspiration. 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